A blue sheet, crumpled and glossy, is pulled tight and crossed by brown twine. The creases and the glare are painted, not photographed. Yrjö Edelmann paints wraps as oil on canvas.
The second canvas is paper rather than foil: a pink sheet folded back on itself, taped at the top and bottom, standing on a pale surface. Every dent, fold and shadow is accounted for.
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