The Norik

Cream stock, a landscape locked inside a circle. Dark treeline, pale mountain, water. Three stripes — red, yellow, muted blue — run diagonally off the top edge. Heavy lettering spans the lower half, cut out of the dark ground so the words read as negative space.

A second sheet is a monogram: the letters cut in black brush strokes, ink dripping beneath. Translucent circles in teal, green, red and yellow overlap across the page, filled with halftone dots and contour rings. The drawing rests on the colour fields rather than the type. More work sits at The Norik.