
Eleni Kalorkoti’s Illustration
Selected illustration work from London's Eleni Kalorkoti.
Projects / 02
45 editorial projects from United Kingdom.

Selected illustration work from London's Eleni Kalorkoti.

Two Times Elliott built the Even Odds identity around the name in a wide sans serif, carried onto pale grey business cards.

Socio Design asked 50 creatives to interpret Money. Two Nifty—50 posters here take opposite routes: a gold egg on hot pink, and stacked numerals.

Peter Roden turned a typeface into chocolate: bars moulded as capital letters, in a pack that sets 100% CHOCOLATE GROTESQUE in blue.

Bunch gives Globetouch a rounded sans-serif wordmark, set white on blue and, on the black card, white over a grid of white dots.

Edinburgh illustrator Dominic Kesterton tells wordless stories in flat, geometric panels — four colours and a punchline.

Mark Richardson of Superfried made a poster series of single uppercase letters, each manipulated with modern shapes and blackletter traces.

Illustration from Naomi Wilkinson — bold shape and flat colour, applied with obvious pleasure.

La Boca, a Notting Hill studio, makes film posters. Two Black Swan designs: a striped red and black profile, and a circle of wings around a ballerina.

Recent illustration work from UK-based David Doran.

Camellie is an illustrator born on the shores of the Danube in Romania who has freelanced for seven years while travelling for inspiration.

Ed Fairburn cross-hatches portraits directly onto vintage road maps and star charts, letting forest, border and constellation become the face.

Bunch gives Johnny Roxburgh a bold two-line wordmark on mint and a white book whose cover type sits in a square turned 45 degrees.

Spin's identity for the University for the Creative Arts is a block-built UCA monogram that turns from letterform into pattern.

Recent work from British illustrator and graphic designer Vicki Turner.

New work from Bristol illustrator Joe Waldron.

Neil Stevens builds the word Electronica from isometric blocks wired like circuit diagrams: orange and blue on black, then yellow on red.

Giles Revell rendered a human face in contour lines and mapped it to a digital model for an advertisement built around what a Lexus LS sees.

Julia Fullerton-Batten's Tokyo series: large-scale staged photography with a cinematic, uneasy atmosphere.

London freelance creative Joshua Hibbert works across graphic design, art and sound.

Eda Akaltum draws blue office interiors as floating cubes, and collages grey architecture with faceless figures in orange suits.