
Photographs of Antarctica’s Blue Ice at Eye Level by Julieanne Kost
Julieanne Kost photographed Antarctic icebergs at eye level from the water, catching blue ice under white snow.
Archive
29 curated projects in photography.

Julieanne Kost photographed Antarctic icebergs at eye level from the water, catching blue ice under white snow.

Sebastian Weiss photographs one-of-a-kind architectural forms; he works as Le Blanc and writes for Architectural Digest Germany.

Nicolas Bouvier photographs himself as a small figure in vast, misted coastal landscapes.

Chris Koublis photographs isolated landscapes and lone animals — olive groves, pine forests and the sea, shot with deliberate openness.

Matthias Heiderich's Material I photographs reduce buildings to flat planes of white, cream, yellow and teal.

Tomohide Ikeya photographs people holding their breath underwater: a woman with her hands over her ears, and a mass of bodies in dark water.

Mikko Lagerstedt photographs still water and winter: a jetty and rowboat at dusk, and a star-filled sky over snow-covered ice and open water.
JR covers the Louvre's glass pyramid in photographic prints of the museum itself, so the structure vanishes against the palace facade.

Kyon.J shoots the Li River from above, where fog and morning light move through the karst peaks around Guilin.

Art director Liam Wong photographs Tokyo by night, documenting how thoroughly the digital has colonised the physical city.

Moss-wrapped laurel trees and a rock peak, then a hillside village glowing orange in night mist: the Canary Islands by Lukas Furlan.

Six Japanese food photographers whose work runs from playful miniature worlds to documentary portraits of the people behind the plate.

Satoshi Araki's miniature dioramas build weathered urban scenes — a graffiti wall, litter, a black armoured vehicle — photographed through the case.

Daniel Beltrá photographs landscapes on all seven continents, mostly from airplanes and helicopters, over two decades of work.

Austin Radcliffe's Things Organized Neatly arranges watermelons, padlocks and keys into even grids; six years of the tumblelog become a book.

Masashi Wakui photographs Tokyo at night in rain: wet asphalt turning every sign into amber streaks, silhouetted umbrellas and lantern-lit alleys.

Frédéric Lagrange photographs the Tsz Shan Monastery: a white Guanyin above the hills, monks at prayer and calligraphy in progress.

Floto + Warner stage costumed US and Mexican nationals in an anonymous protest for Anónimo, honouring Mexico's killed Normalista students.

Benoit Jammes mounts a peeled banana and a red onion on skateboard trucks for Skitchen, a series about produce on wheels.

Giles Revell rendered a human face in contour lines and mapped it to a digital model for an advertisement built around what a Lexus LS sees.

Julia Fullerton-Batten's Tokyo series: large-scale staged photography with a cinematic, uneasy atmosphere.

Photographer Kylie Woon's 'Surreal-ity' series turns dream scenes into staged photographs with a disorienting logic.

Buildings float untethered above trees and street lamps in two series by the photographer Rafa Zubiría, born in San Sebastián in 1985.

Berlin photographer Matthias Heiderich's 'Studio Eins' series continues his eye for colour, geometry and the built environment.
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