Erman Yilmaz builds posters where type and image cannot be separated. Thick gradient ribbons loop and knot across a white sheet, running orange through pink into blue, and white capitals follow the folds.
The second poster is black and white. Dense vertical waves fill the sheet behind large outlined capitals, with a smaller line of type set at the top left and a spot-coloured diamond or two breaking the grey.
Related
Peck & Company gave Mercer Supply Co. a typographic barber identity that leans hard on its letterforms rather than on the usual barber tropes.
Alex Trochut's Penguin Books Galaxy Series covers let striped and outlined type carry Heinlein and Gibson.
burkhardthauke overlaps cyan, red and white shapes under black outlines, cutting large white letters apart so no word lands whole.
Meg Hitchcock glues thousands of individual letters from religious texts into drawings that dissolve the words into pure form.
