
Simon Stålenhag Illustration
Swedish illustrator Simon Stålenhag stages an uncomfortable collision of present and future, where people much like us meet new technology.
Archive
16 curated projects tagged in digital.

Swedish illustrator Simon Stålenhag stages an uncomfortable collision of present and future, where people much like us meet new technology.

Made, the freelance office founded by Ivan Pedroza, works across branding, print and digital design.

Helsinki illustrator Antti Kalevi's flat shapes, brush textures and cheerful characters, across three drawings.

A book by Taylor Evans pairs a black-and-white seascape cover with a blunt list of options inside.

Violaine & Jérémy set the Théâtre des Bouffes du Nord season in dark type over a colour wash, and draw Napoleon as NAPOLEONLAND in pencil.

Mikey Burton's Barrel Body project: flat, risograph-toned illustration, all grain, halftone and bright primary colour.

Art director Liam Wong photographs Tokyo by night, documenting how thoroughly the digital has colonised the physical city.

Jaco Putker's solarplate etchings: a boy on a rope-lashed boulder in mid-air, and a girl facing a horned figure across an empty room.

Madrid designer Sara Enríquez turns Wes Anderson's filmography into typographic illustration — letters built from the architecture of his films.

Vera Molnar builds geometric systems of black squares, then breaks them: rules followed by deliberate interference.

Bunch gives Johnny Roxburgh a bold two-line wordmark on mint and a white book whose cover type sits in a square turned 45 degrees.

Chicago digital artist David Brodeur's Celestial Series imagines an alien world of berry-like plants, glowing crystals and candy-coloured orbs.

Giles Revell rendered a human face in contour lines and mapped it to a digital model for an advertisement built around what a Lexus LS sees.

NastPlas is a Madrid studio producing digital illustration with a sculptural, near-mythological bent.

The Woodhouse identity by Heydays engraves the name into wooden business cards and runs green ink through the print work.

Eda Akaltum draws blue office interiors as floating cubes, and collages grey architecture with faceless figures in orange suits.