
We Print Nice Things Branding by Noemie Le Coz
Noemie Le Coz's identity for the small press runs on stationery, a wordmark and a web presence that let the covers do the talking.
Archive / 16
454 editorial projects. Selected for form, craft, and image.

Noemie Le Coz's identity for the small press runs on stationery, a wordmark and a web presence that let the covers do the talking.

Graphic design work from Pouya Ahmadi.

Jorge Mayet's tree sculptures hang in mid-air, a small house on the trunk and a tangle of roots below, built from paper, wire, fabric and acrylics.

Nui Studio, formerly We Love Eames, designed the Mygdal plant lamp: a sealed ecosystem of mouth-blown glass and aluminium that lights a room.

Daniel Beltrá photographs landscapes on all seven continents, mostly from airplanes and helicopters, over two decades of work.

Christian Watson draws miniature ink landscapes on the tips of pencils — log cabins, lighthouses and animals under half an inch tall.

Austin Radcliffe's Things Organized Neatly arranges watermelons, padlocks and keys into even grids; six years of the tumblelog become a book.

An anonymous illustrator posting as Sparrows makes short GIFs of magical realism — pelicans playing scrabble, tattoos blooming from skin.

Boris Seewald rotoscoped more than 1,200 hand-painted frames to make the video for Ralf Hildenbeutel's 'Disco'.

Blu painted a giant green prisoner across a Naples street corner, tearing at its striped uniform.

Daniel Arsham cut a 300-foot path through the SCAD Museum of Art, built from a sequence of faux-concrete walls that widen as you walk.

Recent work from Omaha graphic designer and illustrator Matt Carlson.

Works from Netherlands-based illustrator Jenna Arts.

Masashi Wakui photographs Tokyo at night in rain: wet asphalt turning every sign into amber streaks, silhouetted umbrellas and lantern-lit alleys.

Manual gives Fort Point Beer Company a modular can range: every can ruled into a grid, one drawn image inside, the arched logotype unchanged.

Selected work from San Francisco illustrator Roman Muradov.

La Tigre's four Manerba office system catalogues: one colour, paper and finishing per system, staged as objects on a white pegboard.

Linus Lohoff's It is what it is posters use form, colour, material and light as photo illustration, numbered and stripped of context.

Recent work from Quebec City illustrator Mathieu Labrecque.

Warsaw studio Dmowski & Co. built Blanca Tea from a wide-spaced wordmark and a diamond B monogram set over a drawn tea branch on cobalt.

A logarithmic map flattens the entire known universe into one image, putting the sun and the observable edge at opposite ends.

Fabian Fohrer sets Crescendo in black, white and one photograph: bold sans-serif, solid text panels and a strict grid on cover and spread.

Illustration from Brooklyn-based Kevin Whipple.

Recent work from Berlin-based illustrator Cristóbal Schmal.