
Collected Coffee Branding by Fivethousand Fingers
Fivethousand Fingers designed the Collected Coffee identity, a white and navy system that names a single farm.
Archive

Fivethousand Fingers designed the Collected Coffee identity, a white and navy system that names a single farm.

Floating banknotes, a suited man on a pile of buildings and a theatre audience, in editorial illustrations by Sophie Blackhall-Cain.

The illustration work of Bristol-based Rob Hodgson.

James Fitzgerald's identity for singer Thandi Phoenix turns her name into a circular mark carried onto a record sleeve.

Daniel Zender's illustrations are bright in colour and dark in mood, drawing on horror films and Art Deco.

Jade Tomlinson and Kev James of Expanded Eye examine human consciousness through tattoo artistry and geometric form.

A heron, fish, elephant, frog and koala, each assembled from pressed leaves and petals by Helen Ahpornsiri.

Recent work from Toronto illustrator Sam Island.

Selected illustration work from Madrid's Ana Galvañ.

Transformer, an Auckland studio founded in 2002 by Nigel and Anita Smith, designed the book Buckley's Heroes.

Parametro Studio's HULA branding puts a script wordmark and palm tree motif on matchboxes in pink and yellow.

Franklyn is a creative studio applying a boutique approach to branding and swag for global brands and startups.

The Practical Man arrived as the antidote: a curated destination for men's clothing and goods, branded by Garbett.

Atsushi Ishiguro's 2015 poster for the Music Illustration Awards, made with OUWN.

Pop & Pac built The Penny Drop's café identity from a single pun: pennies falling from the tax office above.

Jordan Metcalf is a Cape Town designer, illustrator and artist working in type-focused design and lettering.

Sebastian Weiss photographs one-of-a-kind architectural forms; he works as Le Blanc and writes for Architectural Digest Germany.
Illustration work from Austin designer Brian Gossett.

Tyler Deeb is a self-taught Louisville designer whose typography and illustration work has appeared in Entertainment Weekly and Fast Company.

Naomi Wilkinson is an illustrator based in Bristol, working in bold shapes and flat colour.

Eva and Marta Yarza imagined the identity Vigo's ruined Panificadora might carry if it were reborn as a centre for arts, culture and youth.

Peck & Company gave Mercer Supply Co. a typographic barber identity that leans hard on its letterforms rather than on the usual barber tropes.

Selected work from Vienna-based illustrator Nanna Prieler.

Folch's publication for Reflections on Light pairs deep blue covers with a grey volume drawn in black line.