AM Restaurant Branding by Avant Post
Avant Post's identity for AM is an orange circle around an A with an M beside it, set small on dark brown and white cards.
Archive
Author: <span>VISUALOUNGE MAG</span>
The Honest Drop Beer Packaging by Makebardo
Makebardo's packaging for The Honest Drop stages five beer bottles on angled copper blocks, each label carrying the same badge.
Supero Design Studio
Supero's La Chaux-de-Fonds posters set white capitals over yellow Le Corbusier portraits, and silver numerals tumble across black.
Maapilim Packaging Design by Doron Baduach
Doron Baduach packaged Maapilim's handmade products: white labels with Hebrew lettering on amber glass, and vials in a wooden rack.
Diego Marmolejo Illustration
Barcelona illustrator Diego Marmolejo draws in flat coral red and black, ringing heavy shapes with dense black doodles of planets, rockets and comets.
Bruch Studio: New Branding for the Armstark Office
Bruch - Idee & Form's Armstark identity folds the planning-and-design tagline into a mark of two panels and a hidden letter A.
Artists Reimagine Cover Art for Their Favourite Albums
Six artists redesign the covers of their ten favourite albums — a project about taste as much as drawing.
Salut! Christmas Beer Design by Walabi Studio
Walabi designed a Christmas typeface for Salut beer: one gold glyph per 75cl bottle, five spell the name and four spell 2016.
Bienal Comunicación: Marte Estudio Branding
Bienal Comunicación, founded in Merida in 2006, built the Marte Estudio cards from foil, coloured stock and printed texture.
Michael Driver’s Illustration
Recent illustration work from London's Michael Driver.
Adam Avery’s Illustration
Selected illustration work from Norwich's Adam Avery.
Alec Doherty
Alec Doherty, a London illustrator, draws Partizan Brewing's beer labels and editorial scenes of figures among plants.
Eleni Kalorkoti’s Illustration
Selected illustration work from London's Eleni Kalorkoti.
Even Odds Branding by Two Times Elliott
Two Times Elliott built the Even Odds identity around the name in a wide sans serif, carried onto pale grey business cards.
Whole Foods Visual Identity System by Moniker: The Kitchen
The Kitchen's identity puts a small apple over letterspaced capitals and wavy teal lines, then repeats the mark across mint tubs stacked in a pyramid.
Nifty – 50
Socio Design asked 50 creatives to interpret Money. Two Nifty—50 posters here take opposite routes: a gold egg on hot pink, and stacked numerals.
Alexander Mostov’s Illustration
Selected illustration work from Seattle's Alexander Mostov.
Takeo Nakano’s Poster for ‘Le Corbusier and Japan’
Takeo Nakano's 2015 exhibition poster for 'Le Corbusier and Japan'.
Arrels Footwear Visual Identity by Hey Studio
Hey Studio's identity for Arrels, a Barcelona footwear brand, splits each box into colour blocks with a rough edge between them.
Alphamix by Mirko Camia
Mirko Camia's Alphamix turns letters into objects: a candle A with a lit wick, a glass B filled with faceted orange shapes.
DuoGraph: Joe Freedman’s Compact Drawing Machine
Joe Freedman's DuoGraph is a seven-gear drawing machine that turns a handful of adjustable parameters into endless geometric figures.
Fischli and Weiss’s ‘How to Work Better’ Mural in New York
Peter Fischli and David Weiss's ten-point list stands fifty feet tall over Houston and Mott Streets, installed with the Public Art Fund.
Siggi Odds
Siggi Odds builds a bearded portrait from coloured strokes under gold capitals, and a symmetrical mask from repeated leaf forms in cream and red.
Elliot Kruszynski’s Flat-Vector Illustration
Elliot Kruszynski draws with one unvarying line — thin black outlines holding solid blocks of colour and characters in transit.