
Haruka Misawa’s ‘Waterscapes’ 3D-Printed Aquariums
Haruka Misawa's 'Waterscapes' aquariums use 3D-printed objects modelled on undersea plant life to give small fish cover in minimal glass tanks.
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Haruka Misawa's 'Waterscapes' aquariums use 3D-printed objects modelled on undersea plant life to give small fish cover in minimal glass tanks.

Lauren Barber sets Benjamin Pexton's name small on off-white cards, leaving the rest of the face blank against folded white tissue.

JR covers the Louvre's glass pyramid in photographic prints of the museum itself, so the structure vanishes against the palace facade.

Since 2005 Lori Nix and Kathleen Gerber have built dioramas of a world after people — and a short film shows the fabrication behind each photograph.

Kyon.J shoots the Li River from above, where fog and morning light move through the karst peaks around Guilin.

Motoi Yamamoto's 'Univer'sel' placed two poured-salt installations inside a 13th-century castle at Aigues-Mortes in southern France.

Recent illustration work from Netherlands-based Jenna Arts.

Alexa Meade paints directly onto live models so photographs of them read as paintings — a process she calls reverse trompe l'oeil.

Jeff Östberg draws a man feeding sparrows on a bench and three figures on a green court, in mustard, green and black.

Mucho builds Frameline's identity from two white letterforms on blue, animated on screen and printed on a thick blue card.

East London illustrator and designer Josh McKenna works in bold geometric shapes and saturated colour — and has already drawn for GQ and Wired.

Selected illustration work from Lisbon's Tiago Galo.

Keisuke Maekawa's 2015 poster for 'Bistro Paisen'.

Recent illustration work from Brooklyn's Pedro Piccinini.

Underline Studio's identity for the Art Museum in Toronto: cropped type on cards in orange, teal, purple and blue.

Yuta Ichinose's 2014 concert flyer for 'Kaisoku Tokyo'.

London illustration duo Cachetejack work in flat geometric colour — big coats, bold shapes and figures caught mid-stride.

Estonian illustrator Eiko Ojala builds depth from layers of cut paper and shadow, assembled digitally but photographed and folded like the real thing.

Ali Alamedy spent nine months rebuilding Charles Miner's early-1900s photography studio in 1:12 scale — a study of how daylight was managed.

Rome illustrator Andrea Chronopoulos crams his scenes with detail and jokes — thick black outlines, saturated colour and circular insets doing the…

Art director Liam Wong photographs Tokyo by night, documenting how thoroughly the digital has colonised the physical city.

La Tortillería built Dentvelop's identity around evolution — the defining trait of an odontology clinic focused on dental-implant innovation.

Yrjö Edelmann paints crumpled foil and taped paper at a scale where the folds read as photographs rather than oil on canvas.

Illustration work from London's Mario de Santiago.