Teruhisa Tajima’s Album Cover for Yoshitaka Minami
Teruhisa Tajima's 1981 silkscreen cover for Yoshitaka Minami.
Archive
Author: <span>VISUALOUNGE MAG</span>
Studio Branding by Bruch
Bruch's identity splits into Idee and Form: a grey ground, a red rule and a dot, with the name set quietly in a serif.
Eric Nyffeler Illustration
Eric Nyffeler sets a family across four screens, then a R.I.P. OFF headstone among roses: flat shapes on coral and green grounds.
Zeloot: Eline van Dam’s Illustration
The work of Dutch illustrator Eline van Dam, who draws under the name Zeloot.
Marly Thalya Gallardo
Marly Thalya Gallardo builds flat geometric figures — bathers on giant phone screens, workers carrying pencils — on saturated red.
Sans Serif Prints by Daniel Barkle
Daniel Barkle's typography posters turn Arial, Bebas and other sans serifs into black sheets where each letter is drawn as wireframe structure.
Studio Business Cards by Don’t Try Studio
Don't Try Studio's card set is five letterpress inks and white foil on triplex Colorplan, printed with loose line drawings.
Branding for Operator 25 Cafe by Pop & Pac
Pop & Pac rebranded Melbourne cafe Operator 25 with typography drawn from telephone exchange cords and a round lightbox cup sign.
Manu Callejón’s Illustration
New illustration work from Spain-based Manu Callejón.
Timo Meyer’s Minimalist Illustrations
Striking minimalist illustration from graphic artist Timo Meyer.
Dock 57
Russian designers Dock 57 work in flat geometry: a festival poster split red and cyan, and a full corporate stationery system.
Super Super: Design and Technology from Warsaw
Warsaw creative studio Super Super connects ideas with design and technology.
Yoshikazu Ebisu’s Cover for ‘Teachers Who Fell to Hell’
Yoshikazu Ebisu's 1981 Japanese book cover turns its subject's back to the reader and fills the sky with spilling objects.
Mita Chocolate – Visual Identity System by Moniker
Moniker gives each Mita chocolate bar its own colour and its own white line pattern, with origin and cocoa percentage set small on top of both.
Laji Hair & Make – branding and interior design
Laji's cards come in white, hot pink and fluorescent green, each with the same HAIR & MAKE wordmark and a name set in script.
Dioramas by Satoshi Araki
Satoshi Araki's miniature dioramas build weathered urban scenes — a graffiti wall, litter, a black armoured vehicle — photographed through the case.
Geometric Collages Created From Layers of Vintage File Folders and Index Cards
Augustine Kofie cuts file folders, index cards and steno pads from 50s-80s Los Angeles estate sales into dense diagonal geometry.
Jimmy Simpson’s Illustration and Animation
Recent work from New York illustrator and animator Jimmy Simpson.
Aquavit Packaging by Olssøn Barbieri
Olssøn Barbieri designed No 52, a botanical aquavit for Jørgen B. Lysholm, in pale green glass with engraved cream labels.
A colorful typographic identity for Get Set festival
Epiforma gives Get Set Festival a broken-letter identity: arcs and blocks in red, yellow and blue, reused across the posters and rebuilt into the title.
Pam Wishbow’s Illustration
Recent illustration work from Seattle-based Pam Wishbow.
Events & More Branding by Andrés Requena
Andrés Requena builds the Maria Moreso identity around one word: white and coral cards, the phrase 'More is more', a coral line drawn into an M.
Beth Walrond’s Illustration
Work from Berlin-based illustrator Beth Walrond.
Sergio Membrillas’s Illustration
A selection of illustration from Spanish illustrator Sergio Membrillas.