
Masala Weltbeat Festival Branding by Hardy Seiler
Hardy Seiler's cover for the Masala Weltbeat Festival stacks PROGRAMM in white caps over colour, the dates on a blue roundel.
Archive

Hardy Seiler's cover for the Masala Weltbeat Festival stacks PROGRAMM in white caps over colour, the dates on a blue roundel.

Rune Fisker draws rooms that will not hold together: cold teal and mint geometry, figures cut up by the architecture, blue faces pressing in.

A simple interactive study in which the shape of the line is controlled directly by the movement of the mouse.

Vera Molnar builds geometric systems of black squares, then breaks them: rules followed by deliberate interference.

Kristina Krogh fits wood, cork and paper into geometric collages of mirrored textures, dark green triangles and grey diamonds, framed in black and white.

White Studios sets Noes around a dash — grey letters, an orange rule, and the same card shot against cold blue and warm orange.

Bunch gives Johnny Roxburgh a bold two-line wordmark on mint and a white book whose cover type sits in a square turned 45 degrees.

Kansas City artist John F. Malta draws a hooded figure riding a blue bat-winged dragon through pink and navy undergrowth, in flat comic colour.

Querida Studio's identity for Ölend, a Barcelona brand making handmade backpacks, pairs a navy serif wordmark with bare, shadow-led product shots.

Recent work from Madrid illustrator Antonio Uve.

Spin's identity for the University for the Creative Arts is a block-built UCA monogram that turns from letterform into pattern.

Underline Studio gave Toronto still life photographer Jodi Pudge a wordmark, a circle-held monogram and a black and orange stationery system.

Officemilano's Write Sketch & Super! notebooks come in four sets of two A6 books, pairing a plain colour cover with a geometric one.

Recent illustration from Amsterdam-based Jacob Stead.

Recent work from British illustrator and graphic designer Vicki Turner.

Keith Shore draws Mikkeller's labels: a ghost and a woman on a bottle of botanical gin, an orange profile and a winged figure on the Citrus Dream beer.

Chicago digital artist David Brodeur's Celestial Series imagines an alien world of berry-like plants, glowing crystals and candy-coloured orbs.

MOON, by Oscar Lhermitte with studio Kudu, is a 1:20 million lunar globe built from NASA data that turns in step with the lunar cycle.

Underline Studio's identity for Daniel Ehrenworth splits his name across yellow cards and one coral card, in a loud 1970s palette.

Ena Bacanovic's identity for ONNO is two overlapping circles with an N in the overlap, 19 and 91 above and below, on plain white cards.

Blok sets Nota Bene in heavy black caps on yellow, grey and pink menus, and angles the name across a white brush mark on cream.

Valérie Hugo drew an illustrated alphabet in ink, building each letter from flora and fauna: a dahlia, curling leaves, a toucan on a B.
Illustrations and animations from Hamburg design studio KJOSK.

Upton's white belt boxes carry the name small and a black diagonal strip, with the same black-and-white restraint repeated on a folded band.