
Fort Point Beer Company by Manual
Manual gives Fort Point Beer Company a modular can range: every can ruled into a grid, one drawn image inside, the arched logotype unchanged.
Archive

Manual gives Fort Point Beer Company a modular can range: every can ruled into a grid, one drawn image inside, the arched logotype unchanged.

Selected work from San Francisco illustrator Roman Muradov.

La Tigre's four Manerba office system catalogues: one colour, paper and finishing per system, staged as objects on a white pegboard.

Linus Lohoff's It is what it is posters use form, colour, material and light as photo illustration, numbered and stripped of context.

Warsaw studio Dmowski & Co. built Blanca Tea from a wide-spaced wordmark and a diamond B monogram set over a drawn tea branch on cobalt.

A logarithmic map flattens the entire known universe into one image, putting the sun and the observable edge at opposite ends.

'Polymorphism' is an experimental motion series by Sydney artist David McLeod.

Practee, a dental practice, takes its identity from Mayra Monobe: pastel cards, a tooth mark and one line of copy per card.

Recent work from New York-based illustrator Jun Cen.

Neil Stevens builds the word Electronica from isometric blocks wired like circuit diagrams: orange and blue on black, then yellow on red.

Buildings float untethered above trees and street lamps in two series by the photographer Rafa Zubiría, born in San Sebastián in 1985.

Berlin photographer Matthias Heiderich's 'Studio Eins' series continues his eye for colour, geometry and the built environment.

Kim Holtermand photographs a dark rock in flat water and an empty diving platform dissolving into fog.

David Wicks' Jacob's Cave is a physics simulation that grows helictite forms: drawn down by gravity, pulled upward into spirals by other forces.

Art director Hampus Jageland's work pairs a black-and-white hooded portrait with a reversed-out A and the words GANG OF FOUR.

HORT's concept for a new identity for the Bauhaus Dessau Foundation reaches back to the school's original ideas rather than present-day habits.

Two images from Dimo Trifonov: a sheet of precise black logo marks and a rendered abstract of crossing bars and wood.

Lucas Lima sets white serif capitals over an embracing couple, and arranges nine figures of eight in a black, red and yellow grid.

Francisco Andriani renders impossible triangles as solid, grained objects that hold up until the eye follows an edge.

A collection of typographic posters and type-design experiments, credited to Armin Jančić, Joan Janés, Armin Schnee, Mehmet Gozetlik and Reza…

Jeffrey Milstein photographs a crushed flight recorder and a steel pulley against white for the series Einstein (on time).

Timothy Raines works under the banner 'brand as art' — treating logos as subjects rather than signage.

Jacksonville artist Dan May makes paintings that sit somewhere between illustration and fine art.

Felice Varini's Cercle et suite d'éclats crosses the chalets of Vercorin with a white ring that breaks across roofs, walls and roads.