
Sophie Blackhall-Cain
Floating banknotes, a suited man on a pile of buildings and a theatre audience, in editorial illustrations by Sophie Blackhall-Cain.
Archive
22 curated projects tagged in editorial.

Floating banknotes, a suited man on a pile of buildings and a theatre audience, in editorial illustrations by Sophie Blackhall-Cain.

James Fitzgerald's identity for singer Thandi Phoenix turns her name into a circular mark carried onto a record sleeve.

Selected work from Vienna-based illustrator Nanna Prieler.

Lina Forsgren alternates outlined and solid black type on the Beckmans Graduation Catalogue, and rules the inner pages as pale blue graph paper.

Facultative Works grew out of a simple idea — only make the experimental projects — into a studio working across illustration, identity, sound and…

Sascha Bente's identity for Sonja Kreuzburg: a teal-to-peach gradient, a serif, and her initials worked into a pair of scissors.

Editorial illustration from Japan's Kaido Kenta, made for a range of publications.

Maite Franchi builds kitchen and fruit scenes from bold grain, turning leaves blue and laying a kettle, bread and eggs over pale green.

Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.

Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.

Aloof's book for Gloria Cortina refuses the design monograph as brand exercise — circling the work rather than illustrating it.

Flat, folk-influenced vector illustration from Birmingham's Ben Javens — layered woodland scenes built from bold shapes and a tight, high-contrast pal

Brooklyn photographer Bobby Doherty's selected work — saturated, tightly cropped still lifes where cakes and sweets are arranged into pattern.

New editorial illustration from Madrid's Studio Patten.

Jeff Östberg draws a man feeding sparrows on a bench and three figures on a green court, in mustard, green and black.

Estonian illustrator Eiko Ojala builds depth from layers of cut paper and shadow, assembled digitally but photographed and folded like the real thing.

Rome illustrator Andrea Chronopoulos crams his scenes with detail and jokes — thick black outlines, saturated colour and circular insets doing the…

F61, the St Petersburg print studio, built the identity for Mental Activity on minimalism and analogue printing rather than a logo.

Eric Nyffeler sets a family across four screens, then a R.I.P. OFF headstone among roses: flat shapes on coral and green grounds.

Hardy Seiler's cover for the Masala Weltbeat Festival stacks PROGRAMM in white caps over colour, the dates on a blue roundel.

Blok sets Nota Bene in heavy black caps on yellow, grey and pink menus, and angles the name across a white brush mark on cream.

Eda Akaltum draws blue office interiors as floating cubes, and collages grey architecture with faceless figures in orange suits.