Wolfgang Buttress’s ‘The Hive’ at Kew Gardens
Forty-four tons of aluminium at Kew Gardens: Wolfgang Buttress's 'The Hive' responds to the buzzing of the bees living inside it.
Archive
Author: <span>VISUALOUNGE MAG</span>
Eskimo Studio’s Branding for Caffè Pagani
Eskimo Design built Caffè Pagani's new logo on the observation that roasting coffee is a process of circles.
LEGO’s 1960s Volkswagen Beetle, Built for the Beach
LEGO's 1,167-piece Creator Expert kit rebuilds a 1960s Volkswagen Beetle with a pop-up hood, flip-down seats and a removable roof.
Today: Scott Thrift’s 24-Hour Clock
Designer Scott Thrift's 'Today' is a 24-hour clock that runs at half speed and grades from dusk to dawn instead of counting numerals.
Hanna Sköld & Sara Knipström Rebrand Dunkin’ for Sweden
Hanna Sköld and Sara Knipström's self-initiated update to Dunkin' Donuts — geometric colour-blocking and a simplified wordmark for Scandinavia.
Anna Taberko’s Kaleidoscopic GIFs
Minnesota animator Anna Taberko's kaleidoscopic loops morph flowers, seed pods and butterflies into self-sustaining cycles.
Pedro Veneziano’s 3D Typographic Worlds
São Paulo graphic artist Pedro Veneziano builds 3D illustrations with photoreal materials — playful typographic scenes that read as objects, not renders.
Jen Stark’s Spiralling Rainbow Vortexes
Jen Stark layers hundreds of cut components into spiralling, rainbow-coloured vortexes that read as portals.
Dear Montreal Illustration Series by Amélie Tourangeau
Amélie Tourangeau's Dear Montreal postcards draw the city in vermilion, turquoise and deep green, from a cyclist to a café terrace.
Adidas and Parley Turn Ocean Trash Into Running Shoes
Adidas and Parley for the Oceans stitched a limited run of sneakers from thread spun out of discarded fishing nets and other ocean plastic.
Second Choice Identity by Noeeko
Noeeko's Second Choice identity draws a black-line grid of squares on white boxes and cards, some cells filled pink.
Branding for Piàno Piàno by Weidemüller
Weidemüller's Piàno Piàno identity stacks the name twice in heavy uppercase sans, black on grey, from print down to business cards.
LYFE: The Levitating Planter by Simon Morris
LYFE is a magnetic planter that hovers over an oak base and rotates slowly so each side of the plant gets equal light.
Koichi Sato’s ‘Conversation With Landscape’ Poster
Koichi Sato's 1983 poster 'Conversation With Landscape'.
Jamie Jones’s Illustration
Selected illustration work from London's Jamie Jones.
Studio Patten’s Editorial Illustration
New editorial illustration from Madrid's Studio Patten.
Branding & Packaging Design for Chocho by Hee Jae Kim
Hee Jae Kim's Chocho chocolate bars are wrapped in fruit-print paper and banded with a lowercase wordmark over solid colour.
Evan Tolleson’s Branding for Seven Stills Distillery
Seven Stills wanted to escape the traditional whiskey look — so Evan Tolleson bridged craft beer and quality spirits instead.
Golden Cosmos’s Graphic Storytelling
Berlin duo Golden Cosmos — Doris Freigofas and Daniel Dolz — build symbolic, folk-influenced scenes with saturated, contrasting colour.
Mikey Burton’s Barrel Body Illustrations
Mikey Burton's Barrel Body project: flat, risograph-toned illustration, all grain, halftone and bright primary colour.
Arte Identity and Art Direction by Vrints-Kolsteren
Vrints-Kolsteren sets 'arte' in lowercase black geometric type on white cards, with the Antwerp address block set uppercase on the reverse.
Alice Gao Identity by Tung
Tung sets Alice Gao's name vertically in copper foil on a blush card, with a dotted ring around her initial and contact lines in the corner.
Gosia Herba’s Illustration
Selected illustration work from Poland's Gosia Herba.
Barnaby Dixon’s Ingenious Hand Puppet
Puppet designer Barnaby Dixon spent eighteen months building a hand puppet that can point, grasp objects and appear to talk.