Studio Brave: Branding for CNK Catering
Studio Brave repositioned CNK Catering around three words, "Creating memorable moments", carried through the photography, stationery and print.
Archive
type
21 curated projects tagged in type.
For The People: Branding for Start-Me-Up Labs
For The People branded Start-Me-Up Labs with light boxes, steel frames and posters for a start-up with no brand budget.
Rivertown Lodge Branding by Ro&Co
Rivertown Lodge's identity by Ro&Co skips hotel clichés and builds from classic camping textures — tent canvas, enamel dishware, woodland patterns.
HULA Branding by Parametro Studio
Parametro Studio's HULA branding puts a script wordmark and palm tree motif on matchboxes in pink and yellow.
Sweet Botanicals Packaging by Patrick Chen
Sweet Botanicals is Patrick Chen's packaging project: five tins, hand-drawn lettering, Victorian florals and one colour per flavour.
Studio Stationery by Studio Una
Studio Una, based in Germany, aimed for flexible, high-quality stationery with a pleasant touch, in various printed materials.
Ortolan’s Branding for Kennedy Nolan
Ortolan refined rather than replaced Kennedy Nolan's identity, contrasting a bold mark with delicate typography.
Branding for Sally Beauty by Anagrama
Anagrama rebuilds Sally Beauty in one colour at a time: red bags, red and white cards, a silver name and a dry brushstroke across the small print.
Akatre’s Press Kit for Lancôme
Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.
Yi-Hsuan Li’s Design for ‘First Class of Taiwan History’
Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.
Rebranding of Woobbee by Sciencewerk
Sciencewerk's rebrand for Woobbee sets a lowercase wordmark and yellow bubble on off-white cards, patterned stationery and bright envelopes.
Spector by Fiona O’Leary
Fiona O'Leary's Spector is a hand-held orange device with a white T emblem and a clear base, lowered onto printed columns of type.
La Tortillería Brands Chicago’s Seven Point
La Tortillería and sister agency Curioso built the identity for Seven Point, a Chicago medical-cannabis dispensary where regulation shapes design.
Bruch’s Identity for Quer Kommuniziert
Bruch—Idee & Form put the content at the centre of Quer Kommuniziert's identity, letting arranged and emphasised text become the visual style.
Mariano Fiore’s Identity for Lumar Coffee Shop
Mariano Fiore's identity for Lumar in A Coruña leans on the name's history — the original coffee shop held the same corner from 1959 to 1993.
SP-GD’s Identity for Catseye Bay
SP-GD built Catseye Bay a flexible identity for a Sydney spatial design studio, drawn loosely from the action of floating.
David Reca’s ‘I Make Graphic Design’
David Reca's self-branding project is an argument that design is a necessity rather than decoration — made on his own behalf.
Visual Identity for Benjamin Pexton by Lauren Barber
Lauren Barber sets Benjamin Pexton's name small on off-white cards, leaving the rest of the face blank against folded white tissue.
F61’s Mental Activity Visual Identity
F61, the St Petersburg print studio, built the identity for Mental Activity on minimalism and analogue printing rather than a logo.
Individual Union Branding by Parámetro Studio
Parámetro Studio sets Individual Union in white on black, then adds bright blue and magenta cards to carry the colour.
Sara Enríquez’s Typographic Wes Anderson Project
Madrid designer Sara Enríquez turns Wes Anderson's filmography into typographic illustration — letters built from the architecture of his films.