For The People: Branding for Start-Me-Up Labs
For The People branded Start-Me-Up Labs with light boxes, steel frames and posters for a start-up with no brand budget.
Archive
design
37 curated projects tagged in design.
Collected Coffee Branding by Fivethousand Fingers
Fivethousand Fingers designed the Collected Coffee identity, a white and navy system that names a single farm.
Pop & Pac: Branding for The Penny Drop Cafe
Pop & Pac built The Penny Drop's café identity from a single pun: pennies falling from the tax office above.
Sweet Botanicals Packaging by Patrick Chen
Sweet Botanicals is Patrick Chen's packaging project: five tins, hand-drawn lettering, Victorian florals and one colour per flavour.
Ortolan’s Branding for Kennedy Nolan
Ortolan refined rather than replaced Kennedy Nolan's identity, contrasting a bold mark with delicate typography.
Branding & Packaging for Sweet Virtuees by IWANT
IWANT pushed Nutritious Delicious, later Sweet Virtues, to rethink the whole brand; a year later it was winning awards.
MIN, The New Simplicity in Graphic Design
Stuart Tolley’s MIN surveys the return of simplicity to graphic design, from its pale blue cover to the work inside.
Akatre’s Press Kit for Lancôme
Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.
Yi-Hsuan Li’s Design for ‘First Class of Taiwan History’
Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.
Rebranding of Woobbee by Sciencewerk
Sciencewerk's rebrand for Woobbee sets a lowercase wordmark and yellow bubble on off-white cards, patterned stationery and bright envelopes.
Branding & Packaging for Terra de Flora by Parámetro Studio
Parámetro Studio wraps Terra de Flora in a navy hat box with gold foil lettering, cream ribbon and cut flowers, plus sage green and navy cards.
Aloof’s Book Design for Gloria Cortina
Aloof's book for Gloria Cortina refuses the design monograph as brand exercise — circling the work rather than illustrating it.
Quote(s) of the week by Jiani Lu
Jiani Lu's typographic series turns design frustrations into framed prints, from stacked capitals to A S A P against halftone dots and rules.
Jukebox Print’s Case for the Business Card
Jukebox Print builds its reputation on materials rather than price: recycled stocks, wooden cards, letterpress and coloured edges.
La Tortillería Brands Chicago’s Seven Point
La Tortillería and sister agency Curioso built the identity for Seven Point, a Chicago medical-cannabis dispensary where regulation shapes design.
Bruch’s Identity for Quer Kommuniziert
Bruch—Idee & Form put the content at the centre of Quer Kommuniziert's identity, letting arranged and emphasised text become the visual style.
Mariano Fiore’s Identity for Lumar Coffee Shop
Mariano Fiore's identity for Lumar in A Coruña leans on the name's history — the original coffee shop held the same corner from 1959 to 1993.
SP-GD’s Identity for Catseye Bay
SP-GD built Catseye Bay a flexible identity for a Sydney spatial design studio, drawn loosely from the action of floating.
David Reca’s ‘I Make Graphic Design’
David Reca's self-branding project is an argument that design is a necessity rather than decoration — made on his own behalf.
Eskimo Studio’s Branding for Caffè Pagani
Eskimo Design built Caffè Pagani's new logo on the observation that roasting coffee is a process of circles.
Hanna Sköld & Sara Knipström Rebrand Dunkin’ for Sweden
Hanna Sköld and Sara Knipström's self-initiated update to Dunkin' Donuts — geometric colour-blocking and a simplified wordmark for Scandinavia.
Second Choice Identity by Noeeko
Noeeko's Second Choice identity draws a black-line grid of squares on white boxes and cards, some cells filled pink.
Evan Tolleson’s Branding for Seven Stills Distillery
Seven Stills wanted to escape the traditional whiskey look — so Evan Tolleson bridged craft beer and quality spirits instead.
Alice Gao Identity by Tung
Tung sets Alice Gao's name vertically in copper foil on a blush card, with a dotted ring around her initial and contact lines in the corner.
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