Studio Brave: Branding for CNK Catering
Studio Brave repositioned CNK Catering around three words, "Creating memorable moments", carried through the photography, stationery and print.
Archive
print design
59 curated projects tagged in print design.
For The People: Branding for Start-Me-Up Labs
For The People branded Start-Me-Up Labs with light boxes, steel frames and posters for a start-up with no brand budget.
Rivertown Lodge Branding by Ro&Co
Rivertown Lodge's identity by Ro&Co skips hotel clichés and builds from classic camping textures — tent canvas, enamel dishware, woodland patterns.
Black & White Bands by Kerr Vernon
Kerr Vernon is an independent Glasgow design studio at The Whisky Bond, founder-led, showing its Black & White Bands project.
Buckley’s Heroes Book Design by Transformer
Transformer, an Auckland studio founded in 2002 by Nigel and Anita Smith, designed the book Buckley's Heroes.
HULA Branding by Parametro Studio
Parametro Studio's HULA branding puts a script wordmark and palm tree motif on matchboxes in pink and yellow.
Studio Branding & Swag by Franklyn
Franklyn is a creative studio applying a boutique approach to branding and swag for global brands and startups.
Garbett: Branding for The Practical Man
The Practical Man arrived as the antidote: a curated destination for men's clothing and goods, branded by Garbett.
Pop & Pac: Branding for The Penny Drop Cafe
Pop & Pac built The Penny Drop's café identity from a single pun: pennies falling from the tax office above.
Milly Advertising Rebrand by Sagmeister & Walsh
Sagmeister & Walsh rebranded MILLY's advertising with a campaign built on stark typography and saturated colour.
Branding for Azienda Felice by Paul Leichtfried
Paul Leichtfried branded Azienda Felice, an organic vineyard in the Marches, with two hand-drawn characters on a white label.
Branding for Michael Elliott by Six
Six sets Michael Elliott's name in lowercase orange and carries the palette through cards, brochures and posters.
Studio Stationery by Studio Una
Studio Una, based in Germany, aimed for flexible, high-quality stationery with a pleasant touch, in various printed materials.
Kitchen Budapest Branding Concept by de_form
Eniko Deri and Nora Demeczky run de_form, a Budapest studio known for art direction, branding and editorial design.
Ortolan’s Branding for Kennedy Nolan
Ortolan refined rather than replaced Kennedy Nolan's identity, contrasting a bold mark with delicate typography.
Branding for Sally Beauty by Anagrama
Anagrama rebuilds Sally Beauty in one colour at a time: red bags, red and white cards, a silver name and a dry brushstroke across the small print.
Branding & Packaging for Mister by Brief
Brief gives Mister a blue pentagon on white cups, jars and a coaster, plus a pair of cards in blue and white.
Branding & Packaging for Sweet Virtuees by IWANT
IWANT pushed Nutritious Delicious, later Sweet Virtues, to rethink the whole brand; a year later it was winning awards.
MIN, The New Simplicity in Graphic Design
Stuart Tolley’s MIN surveys the return of simplicity to graphic design, from its pale blue cover to the work inside.
Cradle Identity by Matthew Hancock
Matthew Hancock marks Cradle with a lowercase wordmark and carries it across letterheads, sage cards and colour chips.
Akatre’s Press Kit for Lancôme
Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.
Branding & Packaging for Friends of Ham by Passport
Passport's identity for Friends of Ham pairs kraft stationery and hand-drawn charcuterie illustrations with menus, postcards and a grey t-shirt.
Yi-Hsuan Li’s Design for ‘First Class of Taiwan History’
Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.
Quote(s) of the week by Marco Oggian
Marco Oggian's Quote(s) of the week: STAY TRUE stacked in black glyphs on white, and ALWAYS REMEMBER THAT YOU ARE SPECIAL in white on black.
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