For The People: Branding for Start-Me-Up Labs
For The People branded Start-Me-Up Labs with light boxes, steel frames and posters for a start-up with no brand budget.
Archive
43 curated projects tagged in print.
Rivertown Lodge Branding by Ro&Co
Rivertown Lodge's identity by Ro&Co skips hotel clichés and builds from classic camping textures — tent canvas, enamel dishware, woodland patterns.
Tipi di Bologna
Tipi di Bologna is a limited-edition book of illustrated stories about Bologna's typographers and engravers, printed and bound by hand.
Collected Coffee Branding by Fivethousand Fingers
Fivethousand Fingers designed the Collected Coffee identity, a white and navy system that names a single farm.
HULA Branding by Parametro Studio
Parametro Studio's HULA branding puts a script wordmark and palm tree motif on matchboxes in pink and yellow.
Studio Branding & Swag by Franklyn
Franklyn is a creative studio applying a boutique approach to branding and swag for global brands and startups.
Pop & Pac: Branding for The Penny Drop Cafe
Pop & Pac built The Penny Drop's café identity from a single pun: pennies falling from the tax office above.
Beckmans Graduation Catalogue by Lina Forsgren
Lina Forsgren alternates outlined and solid black type on the Beckmans Graduation Catalogue, and rules the inner pages as pale blue graph paper.
Milly Advertising Rebrand by Sagmeister & Walsh
Sagmeister & Walsh rebranded MILLY's advertising with a campaign built on stark typography and saturated colour.
Sweet Botanicals Packaging by Patrick Chen
Sweet Botanicals is Patrick Chen's packaging project: five tins, hand-drawn lettering, Victorian florals and one colour per flavour.
Ortolan’s Branding for Kennedy Nolan
Ortolan refined rather than replaced Kennedy Nolan's identity, contrasting a bold mark with delicate typography.
Branding & Packaging for Mister by Brief
Brief gives Mister a blue pentagon on white cups, jars and a coaster, plus a pair of cards in blue and white.
Akatre’s Press Kit for Lancôme
Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.
Yi-Hsuan Li’s Design for ‘First Class of Taiwan History’
Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.
Abe & Sara Sunglass Packaging by Faber & Lo
Faber & Lo gives Abe & Sara's sunglasses blue boxes with gold foil lettering and a pattern of triangles, circles and crescents.
Rebranding of Woobbee by Sciencewerk
Sciencewerk's rebrand for Woobbee sets a lowercase wordmark and yellow bubble on off-white cards, patterned stationery and bright envelopes.
Branding & Packaging for Terra de Flora by Parámetro Studio
Parámetro Studio wraps Terra de Flora in a navy hat box with gold foil lettering, cream ribbon and cut flowers, plus sage green and navy cards.
Aloof’s Book Design for Gloria Cortina
Aloof's book for Gloria Cortina refuses the design monograph as brand exercise — circling the work rather than illustrating it.
Gojo Branding by STUDIOYONIS
STUDIOYONIS brands Gojo with white and yellow business cards, a ghosted wordmark and type that stays quietly out of the way.
Jukebox Print’s Case for the Business Card
Jukebox Print builds its reputation on materials rather than price: recycled stocks, wooden cards, letterpress and coloured edges.
La Tortillería Brands Chicago’s Seven Point
La Tortillería and sister agency Curioso built the identity for Seven Point, a Chicago medical-cannabis dispensary where regulation shapes design.
Bruch’s Identity for Quer Kommuniziert
Bruch—Idee & Form put the content at the centre of Quer Kommuniziert's identity, letting arranged and emphasised text become the visual style.
Mariano Fiore’s Identity for Lumar Coffee Shop
Mariano Fiore's identity for Lumar in A Coruña leans on the name's history — the original coffee shop held the same corner from 1959 to 1993.
SP-GD’s Identity for Catseye Bay
SP-GD built Catseye Bay a flexible identity for a Sydney spatial design studio, drawn loosely from the action of floating.
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