
Studio Brave: Branding for CNK Catering
Studio Brave repositioned CNK Catering around three words, "Creating memorable moments", carried through the photography, stationery and print.
Archive
46 curated projects tagged in stationery design.

Studio Brave repositioned CNK Catering around three words, "Creating memorable moments", carried through the photography, stationery and print.

For The People branded Start-Me-Up Labs with light boxes, steel frames and posters for a start-up with no brand budget.

Rivertown Lodge's identity by Ro&Co skips hotel clichés and builds from classic camping textures — tent canvas, enamel dishware, woodland patterns.

Kerr Vernon is an independent Glasgow design studio at The Whisky Bond, founder-led, showing its Black & White Bands project.

Fivethousand Fingers designed the Collected Coffee identity, a white and navy system that names a single farm.

Franklyn is a creative studio applying a boutique approach to branding and swag for global brands and startups.

The Practical Man arrived as the antidote: a curated destination for men's clothing and goods, branded by Garbett.

Pop & Pac built The Penny Drop's café identity from a single pun: pennies falling from the tax office above.

Six sets Michael Elliott's name in lowercase orange and carries the palette through cards, brochures and posters.

Eniko Deri and Nora Demeczky run de_form, a Budapest studio known for art direction, branding and editorial design.

Ortolan refined rather than replaced Kennedy Nolan's identity, contrasting a bold mark with delicate typography.

Anagrama rebuilds Sally Beauty in one colour at a time: red bags, red and white cards, a silver name and a dry brushstroke across the small print.

Brief gives Mister a blue pentagon on white cups, jars and a coaster, plus a pair of cards in blue and white.

IWANT pushed Nutritious Delicious, later Sweet Virtues, to rethink the whole brand; a year later it was winning awards.

ONNO centres Sugar Ants on a line-drawn ant and prints a hamster in a wheel across a white t-shirt.

Matthew Hancock marks Cradle with a lowercase wordmark and carries it across letterheads, sage cards and colour chips.

Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.

Passport's identity for Friends of Ham pairs kraft stationery and hand-drawn charcuterie illustrations with menus, postcards and a grey t-shirt.

Sciencewerk's rebrand for Woobbee sets a lowercase wordmark and yellow bubble on off-white cards, patterned stationery and bright envelopes.

Parámetro Studio wraps Terra de Flora in a navy hat box with gold foil lettering, cream ribbon and cut flowers, plus sage green and navy cards.

STUDIOYONIS brands Gojo with white and yellow business cards, a ghosted wordmark and type that stays quietly out of the way.

Jukebox Print builds its reputation on materials rather than price: recycled stocks, wooden cards, letterpress and coloured edges.

La Tortillería and sister agency Curioso built the identity for Seven Point, a Chicago medical-cannabis dispensary where regulation shapes design.

Bruch—Idee & Form put the content at the centre of Quer Kommuniziert's identity, letting arranged and emphasised text become the visual style.
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