Branding & Packaging for Sugar Ants by ONNO
ONNO centres Sugar Ants on a line-drawn ant and prints a hamster in a wheel across a white t-shirt.
Archive
Author: <span>VISUALOUNGE MAG</span>
MIN, The New Simplicity in Graphic Design
Stuart Tolley’s MIN surveys the return of simplicity to graphic design, from its pale blue cover to the work inside.
Matt W. Moore’s Mandalas of Foraged Wood and Stone
An artist residency in Eden, Utah let Matt W. Moore rebuild his mandala motif from wood and river stones gathered on the mountain.
Bocas Sucias
Bocas Sucias prints street expressions as posters and releases them across society, leaving intention and interpretation to speakers and receivers.
Peter Tarka
Peter Tarka, AKA Grate Studio, sets AURORA in white capitals inside a gold wireframe form and packs a neon letter with green spheres.
Cradle Identity by Matthew Hancock
Matthew Hancock marks Cradle with a lowercase wordmark and carries it across letterheads, sage cards and colour chips.
Maud
Australian agency Maud's packaging: matte black coffee bags with a white text label, and wine bottles in white and grey diagonals.
Mateo Pizarro: Miniature Graphite Drawings
Mateo Pizarro's Micro-Barroque drawings: a dense crowd ringing rising dust, and a galaxy, each no bigger than a match.
New Paintings of Birds Set Against Colorful Glitches by Frank Gonzales
Frank Gonzales paints birds resting on cactus against flat blue and turquoise grounds, cut by thin vertical strokes of pink, orange and green.
Mike McQuade
Mike McQuade's collages: a portrait stacked in nested red rectangles, and a profile built from grid blocks and video-player icons.
Akatre’s Press Kit for Lancôme
Akatre built Lancôme's 'Énergie de Vie' press kit around their own typeface Marie Louise — a box, a book, and no safe choices.
Pis Saro’s Botanical Tattoos
Tattoo artist Pis Saro reproduces botanical specimens found on her travels directly onto her clients' skin.
Dieter Rams Documentary
Gary Hustwit's documentary on Dieter Rams: the designer at his desk with a pen and drawings, and a film funded on Kickstarter.
Ceramic sculptures by Takahiro Kondo
Takahiro Kondo's black ceramic heads are crusted in glassy beads and metallic drips, finished with his gintekisai overglaze.
Damien Poulain
Damien Poulain's LOVE cover cuts white letters and red marks into black slabs, and his paper work builds characters from flat blue shapes.
Branding & Packaging for Friends of Ham by Passport
Passport's identity for Friends of Ham pairs kraft stationery and hand-drawn charcuterie illustrations with menus, postcards and a grey t-shirt.
Multiple Exposure Landscapes by Mikko Lagerstedt
Mikko Lagerstedt photographs still water and winter: a jetty and rowboat at dusk, and a star-filled sky over snow-covered ice and open water.
Yi-Hsuan Li’s Design for ‘First Class of Taiwan History’
Yi-Hsuan Li used illustration to make Su Beng's 'First Class of Taiwan History' a book people would actually pick up.
Quote(s) of the week by Marco Oggian
Marco Oggian's Quote(s) of the week: STAY TRUE stacked in black glyphs on white, and ALWAYS REMEMBER THAT YOU ARE SPECIAL in white on black.
Abe & Sara Sunglass Packaging by Faber & Lo
Faber & Lo gives Abe & Sara's sunglasses blue boxes with gold foil lettering and a pattern of triangles, circles and crescents.
Dale Edwin Murray’s Illustration
Work from London illustrator Dale Edwin Murray.
Rebranding of Woobbee by Sciencewerk
Sciencewerk's rebrand for Woobbee sets a lowercase wordmark and yellow bubble on off-white cards, patterned stationery and bright envelopes.
Studio Ghibli’s Illuminated ‘Castle in the Sky’ Ship in Tokyo
Fifty-two storeys above Tokyo, the Studio Ghibli Expo centres on a room of airships and an illuminated replica from 'Castle in the Sky'.
Ludovic Balland
Balland's Basel studio makes typographic compositions and identities for cultural institutions, and holds Switzerland's Jan Tschichold Award.